A counselor for what you're building.
An advocate for what you've built.

Entertainment, intellectual property, corporate matters, and conflict resolution, for artists, entrepreneurs, nonprofits, and family businesses. From a lawyer who spent twenty years building companies and leading teams before law school.

California Attorney Trained Mediator Entertainment & IP Counsel Founder & Operator Producer
Michael Cafarelli, attorney and mediator

Sometimes you need counsel, other times a mediator.

Project Counsel

Corporate and transactional matters, intellectual property, and entertainment work, for companies, artists, producers, and the firms that refer them.

  • Contract, agreement, and term sheet review, drafting, and negotiation
  • Corporate transactions, governance, and entity formation
  • Demand letters, cease-and-desist correspondence, and responses to them
  • Trademark enforcement and coexistence agreements
  • Copyright terminations and rights recovery
  • Royalty disputes, accounting demands, and label and publisher negotiations
  • Producer, executive producer, and collaboration agreements
  • Founder arrangements, equity questions, and separation documentation
  • Nonprofit governance, bylaws, board policies, and grant agreements
Discuss a legal project

Mediation

A structured, generally confidential process for resolving disputes without years of litigation, for when the relationship, the timeline, or the cost matters more than winning in court.

  • Creative and entertainment disputes: credits, splits, partnerships
  • Co-founder, investor, and partnership friction
  • Family business and succession conflicts
  • Nonprofit board disputes and executive transitions
  • Contract and commercial disputes
  • Workplace and organizational conflict
  • Pre-litigation resolution and settlement facilitation
Ask about mediation

Entertainment, intellectual property, and business matters.

Demand letters and responses

Enforcing payment, stopping infringement, or answering a demand someone has sent you.

Contracts and term sheets

Review, drafting, and negotiation across vendor, client, and investment documents, including SAFEs, notes, and priced rounds.

Corporate transactions

Mergers, reorganizations, and financings, including conversions, equity plan amendments, and board and stockholder consents.

Entity formation and governance

Operating agreements, founder and equity arrangements, and corporate housekeeping for closely held companies.

Founder and partnership conflict

Governance restructuring, equity questions, and separation documentation when a partnership changes.

Trademark enforcement and coexistence

Cease-and-desist strategy and correspondence, and negotiated coexistence agreements where two owners can share a market.

Copyright terminations under §203

Preparing, serving, and recording notices to recapture rights granted decades earlier.

Royalty and accounting demands

Pursuing unpaid royalties, compelling accountings, and addressing the status of masters and other rights.

Publishing and administration deals

Term, wind-down, retained rights, and post-term collections, including exits from international administration agreements.

Producer and collaboration agreements

Allocating creative control, credit, ownership, and investment terms before the work starts.

Nonprofit governance

Bylaws, board and conflict-of-interest policies, fiscal sponsorship, grant agreements, and executive transitions.

I came to law the long way, and it's my greatest asset.

Before I was an attorney, I spent two decades as an entrepreneur and operator, building things: a hospitality group where I helped develop and open a dozen venues across North America, a culinary television production company, and teams of people navigating high-pressure environments together. I grew up in my family's restaurant business, where I learned conflict resolution before I could drive.

That matters more than it sounds like it should. I have signed the lease, made the payroll, and been on the wrong end of a contract that didn't say what I thought it said. So when you bring me a deal, I'm not only asking whether it's legally sound. I'm asking whether it works, what it costs you operationally, and what happens to it in eighteen months. I know what it means to live inside the documents I draft.

I practiced at Manatt, Phelps & Phillips on corporate governance, transactional, regulatory, and entertainment finance matters. Today I practice entertainment and intellectual property law alongside boutique firms in California, and mediate for people who want a smarter way through than litigation.

California Attorney

Juris Doctor, Loyola Law School, Los Angeles. First Honors in Contracts and in Ethical Lawyering · Admitted to the State Bar of California · Bar No. 365873

National Firm Experience

Summer Associate (2025) and Associate (2026), Manatt, Phelps & Phillips LLP. Corporate governance, transactions, regulatory, privacy, and entertainment finance

Entertainment & IP Practice

Ongoing counsel work with boutique entertainment and intellectual property firms: music, rights, and creative business matters

Judicial & Public Service

Judicial extern, U.S. Bankruptcy Court for the Central District of California · Finance Coordinator and Office Manager on a U.S. Senate campaign

Trained Mediator

Loyola Center for Conflict Resolution & Collaborative Family Law Clinic, mediating divorce, custody, and financial support agreements · Additional mediation training through California Lawyers for the Arts

Entrepreneur & Producer

Co-founder of a restaurant and hospitality group. Helped develop and open a dozen venues across North America · Co-founder and Executive Producer of a culinary television production company with more than 3,000 live shows over sixteen years, 27 regional Emmy nominations, and 4 wins

Also Holds

MS, Nonprofit Management, Northeastern University, plus fifteen years in youth development
BS, Management & Organizational Behavior, NYU Stern School of Business
Certificate in Real Estate, Loyola Marymount University
Professional Certificate in Producing, UCLA School of Theater, Film and Television

Let's talk.

No pressure — just a conversation about where things stand and how I can help.

Message received.
I'll be in touch shortly — typically within one business day. Thank you for reaching out.

Names let me check for conflicts before we talk. If you know who else is involved, listing them here saves a step.

Keep this part general and non-confidential. Just enough for me to see what kind of matter it is.

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Questions people ask.

Is it too early to call?

Almost never. The best time to reach me is while a deal is still being negotiated, before a letter gets sent, or when something feels off but hasn't broken yet. That's when advice is cheapest and most useful. The first call is 30 minutes, no charge, and carries no obligation: I confirm there's no conflict, work out whether I'm the right person, and point you somewhere better if I'm not.

How do you charge?

Depending on the matter, engagements may be structured as a flat fee, an hourly engagement, or an ongoing counsel arrangement. Scope and fees are confirmed in writing before work begins, and they don't move without your sign-off. Mediation is quoted based on the format and expected preparation.

What's the difference between hiring you as counsel and as a mediator?

As counsel, I represent you — your interests, your leverage, your outcome. As a mediator, I serve as a third-party neutral: I don't represent either side, I don't give either side legal advice, and each party may consult independent counsel. As a matter of my own practice, I don't take both roles in the same dispute, and I'll help you figure out which one your situation calls for.

Do you work with clients outside California?

Often, yes. I'm admitted in California and advise on California-law matters, along with federal trademark and copyright work before the USPTO and Copyright Office, and I work remotely with clients in other locations where that's permitted. Where a matter turns on another jurisdiction's law, it may require local counsel or separate admission. We settle that question before any engagement begins, and I'll tell you plainly which situation you're in.

Why "Counsel."

The word is older than the profession. Counsel comes through Old French from the Latin consilium — plan, deliberation, advice, and beneath that from com, "together," and calare, "to summon." To counsel, at the root, is to call people together and think it through. It meant advice given and received for a full two centuries before English ever used it to mean a lawyer.

That older meaning is the one I want. I was a camp counselor for fifteen years before I was legal counsel, and the job hasn't changed as much as the setting has: someone brings you a problem, you sit with it together, and you help them find the way through.

"Be Smart and Be Good."

It's what my family said. Be smart: protect yourself, know your position, understand the deal. Be good: to the people across from you, in how you move through the world. Everything I do sits between those two instructions, and it turns out they're the only principles that hold up in every kind of conflict.

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